By 2010, Stephenie Meyers’ Twilight had already proven that a multivolume YA franchise with a romantic triangle and lashings of paranormal brooding could be a virtual license to mint money, especially when the inevitable movie deal came along. The 15 Books That Defined the 2010s. If you value our work, please disable your ad blocker. Graphic by Slate. “You don’t know me,” she wrote, “But you’ve been inside me.” The statement was an extraordinary testament of her trauma and pain, and a light in the dark for other survivors. And while most of these buyers expressed no interest in joining a traditional book club, a majority also described themselves as very involved in online social networks, from purpose-built readers’ sites like Goodreads to general-interest platforms like Twitter. Notable YA books of the 1990s: The Face on the Milk Carton by Caroline B. Cooney (1990) The Vampire Diaries: The Awakening by L.J. Her husband, Barack Obama (remember him? Yes, Michelle Obama sold two million copies of her book in two weeks, went on a worldwide book tour, and inspired girls and women everywhere with her heartfelt, intimate memoir about life as First Lady and all that came before the White House. In 2015, Dutch writer Corinne Duyvis started the #ownvoices hashtag on Twitter—which had increasingly become the primary hub of conversations about the genre—to “recommend kidlit about diverse characters written by authors from that same diverse group.” The Hate U Give by Angie Thomas, a novel about black victims of police violence that was fortuitously published a few months after the 2016 election, became a steady bestseller, as did Tomi Adeyemi’s Children of Blood and Bone, a refreshing fantasy rooted in African mythology published the following spring. Her ultimate goal? Photos by WNDB and Amazon. As a book publishing phenomenon, young adult literature entered the decade like a lion. In the past two years, online networks of YA authors and readers—mostly female adults—have been convulsed with assorted scandals and controversies that have left many outside observers with the impression that “YA Twitter” is hopelessly “toxic.” Bloggers and Twitter pundits pilloried 2017’s The Black Witch, a debut young adult fantasy novel by Laurie Forest, for its purported “racism.” That criticism proved unconvincing—even to teen readers, who made the book a success and reviewed it enthusiastically on Amazon—but few of those weighing in on the controversy bothered to point out instead how listlessly predictable The Black Witch is, with the usual high-born heroine confronting an unjust world while embroiled in the usual bad boy–good boy love triangle. Maybe it’s because the commonly used themes of identity, love, and friendship are universal. If you snorted at Full Fathom Five’s The Fart Squad, well, this just might be another of those occasions when James Frey gets the last laugh. Dystopia was a trenchant genre for middle-class kids who grew up heavily surveilled by parents and social media, as well as pressured to vie for their spot in a relentless meritocracy starting from grade school. Gone Girl is a head-spinning tale that subverts reader expectations with a twist that scalds like a third-degree burn and aches for days. Every item on this page was chosen by an ELLE editor. You can cancel anytime. But anyways the girls name was Sistine. Then, of course, there was the content of the book itself. Know My Name, released just after Margaret Atwood’s The Testaments and just before She Said by Jodi Kantor and Megan Twohey, is an essential text of the #MeToo era, one that tenderly illustrates the human cost of sexual assault and brutally eviscerates the systems and people who uphold rape culture.

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+ How we made $200K with 4M downloads.

How we made $200K with 4M downloads.