For a good 10 minutes, dozens of pedestrians, cyclists and motorists are bisected by the returning wind while Mitsuko remains alive by hitting the deck at the vital moment. After encountering a group of revenant girls who try to kill her after stating that so long as she lives, they will continue to die, she is once again rescued by Aki, who reveals that all the girls are in a fictional world being observed by "someone" and that they will continue to hunt Mitsuko down and kill everyone else unless Mitsuko, as the "main character", does something to change it. Back at school, Mitsuko's homeroom teacher suddenly brandishes a machine gun and opens fire, killing all the girls except Mitsuko. Mitsuko and the remaining girls flee as they are gunned down. Finding herself once again in the beginning of each scenario, she simultaneously commits suicide on the bus, at the wedding chapel, and during the marathon before any of the violent scenarios can begin. Read More 'Yakuza Apocalypse' ('Gokudo daisenso'): Cannes Review. Tag, known in Japan as Real Onigokko (Japanese: リアル鬼ごっこ, Hepburn: Riaru Onigokko), is a 2015 Japanese action horror film directed by Sion Sono and inspired by the title of the novel Riaru Onigokko by Yusuke Yamada. The Hollywood Reporter, LLC is a subsidiary of Prometheus Global Media, LLC. | Cookie Settings, Bucheon International Fantastic Film Festival, Vivid bedlam layered with feminist undertones, Japan's Takeshi Kitano to Play "Sympathetic Pervert" in New Film Project. The basic story is about a shy girl named Mitsuko who ends up travelling to different realities, but everywhere she goes, those around her are brutally killed. The remaining girls are then sliced apart by the wind. In a sequence that even hard-to-impress horror hounds are likely to find genuinely jaw-dropping, everyone but Mitsuko is killed when two buses carrying the students are horizontally sliced apart by a deadly wind. 3:30 PM PDT 7/24/2015 She finds herself in a lewd city called "Men's World," filled with only men who pervertedly enjoy a poster advertisement for a "legendary" violent 3D survival horror video game called Tag, depicting Mitsuko, Keiko, and Izumi as playable characters. While the other films tend toward conventional political allegories similar to The Purge, Tag's narrative could be interpreted as a story of gender-based social oppression as seen by a woman undergoing rituals of adolescence and adulthood. This reading of Sono's Tag as a feminist tract is given credence as the film enters its final act, when all is revealed about the true nature of the three protagonists' existence and how they could break out of this misogynistic vicious cycle. Performances are uniformly energetic and effective from a vibrant cast. It’s not long before Mitsuko is again caught in a bloodbath. Variety and the Flying V logos are trademarks of Variety Media, LLC. Remembering what Sur said about tricking fate, she commits suicide, to the shock of the old man. She suggests that fate can be tricked by simply doing something one would never normally do, thus changing the outcome. I see all kinds of crazy claims about my country on reddit but if I even try to explain that the claims are wrong and link to data which shows this then people argue with me and tell me that I don't know what I'm talking about despite that they don't knowing anything about **my** country. Fresh from the misguided gangsta gung-ho of Tokyo Tribe or Shinjuku Swan, Tag offers hope that Sono remains the mad, bad boy he started out as, offering that curious mix of rage and romance that shaped the delicate psychological dramas of Suicide Club, Noriko's Dinner Table or Himizu. Also intriguing is Aki’s reappearance at key moments, and comments by peripheral characters that bounce back into focus as the Mitsuko/Keiko/Izumi tale becomes increasingly twisted. She confesses to Aki that she cannot remember if she ever attended this school. Production companies: Sedic Deux in a NBC Universal Entertainment, Takao, Shochiku, Asmik Ace presentation, Cast: Reina Triendl, Mariko Shinoda, Erina Mano, Screenwriter: Sion Sono, based on a novel by Yusuke Yamada, Producers: Masayuki Tanishima, Takahiro Ohno, International Sales: Shochiku International Sales and Licensing. FACEBOOK Mischievously, Sono has produced a satire aimed squarely at both fanboys and filmmakers of exploitative cinema, himself included. Equal parts flash-trash exploitation gorefest and punchy pro-feminist action-fantasy, “Tag” is another feather in the highly idiosyncratic cap of Japanese helmer Sion Sono. The definitive site for Reviews, Trailers, Showtimes, and Tickets One of the girls recognizes Mitsuko and pleads for her to think about why this is happening. Next up, a bewildered Mitsuko makes her way to an all-girls’ high school where everyone seems to know her, but she recognizes only her best pal, Aki (Yuki Sakurai). The wind chases her and kills all the other girls she comes into contact with. The one element underlining all three characters' existence is the unending need to run for survival. Japanese Movies with Nudity by donaldsgordon | created - 25 Mar 2017 | updated - 03 Jul 2019 | Public Dramatic movies Refine See titles to watch instantly, titles you haven't rated, etc. About Our Ads Prosthetic effects aces; Yoshihiro Nishimura (“Dead Sushi,” “Tokyo Gore Police,” “Zombie Ass: The Toilet of the Dead”) has a field day doing what he does best. German-Japanese actress-model Triendl shines as the opening chapter’s terrified heroine. Sur illustrates predetermination with a white feather, stating that it would mean the time it takes for the feather to fall and where it will land are all decided already. The woman in question is Mitsuko (Reina Triendl), a poetry-writing schoolgirl who’s en route to summer camp. [1][2][3] It was released in Japan on July 11, 2015. Tag, known in Japan as Real Onigokko (Japanese: リアル鬼ごっこ, Hepburn: Riaru Onigokko), is a 2015 Japanese action horror film directed by Sion Sono and inspired by the title of the novel Riaru Onigokko by Yusuke Yamada. She is greeted by girls named Aki, Sur (short for "Surreal") and Taeko. Taking a leaf out of Luis Bunuel’s “That Obscure Object of Desire” and a dash of Jacques Rivette’s “Celine and Julie Go Boating,” Mitsuko transforms into Keiko (Mariko Shinoda), a 25-year-old bride who’s whisked off to a nightmarish wedding by local cop Tomoko (Hikaru Horiguchi) and a gaggle of giggling friends. Though action and excitement are clearly Sono’s primary concerns, viewers searching for deeper meaning to all this mayhem will certainly find plenty to think about along the way. Sitemap | Directed by Sion Sono. The violent interventions break up long scenes of solidarity in a world without men, the sense of optimism and freedom vividly captured by drone filming and cinematic post-rock numbers from the Japanese band Mono. Mitsuko finds herself in increasingly surreal situations where her identity and appearance change: first, as a bride named Keiko on her wedding day with a man who has the head of a pig, then as a student named Izumi in the middle of a marathon. Mitsuko reluctantly kills her and a portal opens before her. Grindhouse meets arthouse in this gory pro-feminist action-fantasy from prolific Japanese genre maven Sion Sono. The old man tells her that the final stage is the fulfillment of his deepest wish. When she died, he took her DNA and that of her friends and made clones for his 3D game. So wrong. Situated closer to the extravagant excess of works such as the gang warfare musical “Tokyo Tribe” than the slow-burn psychodrama of his four-hour epic “Love Exposure, ” “Tag” at least shares the latter film’s obsession with female underwear; such is the frequency of shots showing exposed briefs that the movie could accurately be categorized as “J-upskirts horror.”. Read Next: ‘In Between Dying’ Director Hilal Baydarov on His Distinctive Approach to Filmmaking, ‘The Night’ Review: Farsi-Language Horror Thriller Set in an L.A. 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+ How we made $200K with 4M downloads.

How we made $200K with 4M downloads.