As is usual in the preparation of a nature documentary, not everything went to plan, due to the unpredictable nature of the subject matter. Ants live in bigger societies, which can make them vulnerable, but Attenborough goads a nest of wood ants into demonstrating their defence: formic acid. Of course that raises financial challenges as well, because translations cost a lot of money. Today, only a fraction of the rich biodiversity that inhabits the soil has been studied. People were running after him, he was shot and then he woke up. Worst case scenario, we’d be in the back room of a cafe, but that was always very stressful. A new video game designed to bring the excitement of astrobiology science into middle school classrooms has been released by the University of Southern California’s School of Cinematic Arts. Competition for seeds between harvester ants and long legged ants. Each of the five 50-minute episodes looks at a group (or aspect) of the creatures using innovative photographic techniques. Social media, of course, is very important for promotion. But at the city level, in production, how did you secure the participation of commuters? The soil would lose its fertility. That was one of the important lessons that emerged from this project—you look at someone and you might have prejudices or think someone is this or that, and then you discover something quite different. It’s been amazing for me to see that, everywhere in the world, people's stories resonate with one another—about aging, about parent/child relationships, about sexuality, for example. David Attenborough's ground-breaking exploration of a group of organisms that are vast in number, yet often too small to be noticed: the invertebrates. On a train, you have a lot of time to look around at people and wonder. The discovery of life so deep underground has torn up the rule book of where animals can live on our planet. Each metro is different. In Life Underground, an ambitious interactive web documentary that received an IDA Documentary Award nomination for Best Short Form Series, filmmaker Hervé Cohen takes viewers on a global tour of urban public transportation—or rather, lets them choose their own adventure. In this documentary you will find never before published photo's of Phil's Autopsy, documents about the Philadelphia Experiment from Oscar Schneider's files (Phil's father) and a very well explained background about Underground He was destitute, and yet his appearance didn't show it. To film the giant centipede, a team had to endure a dark cave whose floor was covered with guano, beetles and cockroaches. We would do very well to remember them.". Same thing with Dehli, and places in the Middle East. The experience features dozens of subway riders selected purely by chance who tell their stories of love, dreams, family and migration, creating a celebration of public transportation and the human experience. Shows how paper wasps build colonial nests and share parental duties which enables them to raise more young. They scavenge, they've built The project has been an enormous undertaking. The filming schedules had to be arranged to fit in with expected dates of major events that were planned to be included, such as the emergence of the North American cicadas or the mass emergence of mayfly in Hungary. Documentary spoke with Cohen about his motivations, challenges and future aspirations for this unique project. My goal is really to expand the diversity—the representation of humanity—in the film. However, anarchy erupts when the queen starts to destroy eggs laid by her workers: she is stung to death and the colony ends. “Metro Art & Design is award-winning and innovative, and exhibitions like these really help to add vibrancy to our transit properties.”. Today, only a fraction of the rich biodiversity that inhabits the soil has been studied. I wanted the website translated into all of the languages that appear in the film. From there, things moved very fast. In many countries in the world, the transit authority cannot give money to a project like this. For me, it was a miracle—each time. So we did, and we developed partnerships. We told him our goal was to document 15 subways around the world. It was a huge undertaking, but I'm very proud of it—to have all of these languages represented, and to capture the sheer musicality of language. Features a million or more army ants cooperating in hunting and nesting. I sometimes receive phone calls or emails and someone says, “Oh, we watched your documentary with communications students or politics students and they found it interesting!". As it grows, the inhabitants all help to maintain it and bring nectar and pollen. And I had been thinking about an installation for a long time. A dozen or so men and one woman talk about their lives: horrors of childhood, jail time, losing children, being coke-heads. During their adventures, players are aided by a team of virtual scientists who help them gather more valuable data about the extremophiles they uncover. The Chief Scientific Consultant was Dr. George McGavin.[1]. [This project has] changed my life—being able to use my intuition, reach out to people and follow my curiosity. So although the mayfly appearance was captured, others were missed, such as the advent of a type of moth in Arizona (despite the camera crew camping out in the area twice, two weeks at a time). A bivouac of army ants is explored: they prove to be one of those most regimented organisms, where the action of each individual is for the good of the million-strong colony. People would agree to be filmed and then they would agree to tell me something very personal about their life. It worked amazingly well; the public could visit the installation for free. The series was produced in conjunction with Animal Planet. We were a team of two people. Using expert advice, the team had come to film at the time of the annual emergence, but the problem of the unusually wet spring had delayed the event. I feel that a project like that is very educational at a time when there is a lot of bigotry, intolerance and conflict in the world. We launched it as an installation in Los Angeles last year because LA transit [LA County Metropolitan Transit Authority] was celebrating the 25th anniversary of the Red Line. Features a stick insect that, through camouflage, looks exactly like a dried leaf. I hear rhythm when I take subways, and I wanted the sound of each metro recorded and used as music in the documentary. Bot fly life cycle which includes parasitising house flies and cows. For each city he made one or more music tracks made from the rhythm and melody of the metro. Because of these kinds of occurrences being largely dependent on environmental factors such as temperature or moisture, it was nearly impossible to tell exactly when they would happen. These small creatures are within a few inches of our feet, wherever we go on land — but often, they're disregarded. At any point did you imagine making a more traditional documentary? Life Underground, 2004 Metropolitan Transit Authority and Arts for Transit 14th Street and 8th Avenue, New York, NY Photo by Tom Powel Imaging Take a virtual tour of the delightful and thought-provoking sculptures by Courtship, mating, egg laying and parental care in wolf spiders. Sometimes people did not have a lot of time, and with every participant, we needed to find a quiet place to do an interview. My first question, which seems really simple but actually opened to [one’s] philosophy and life story, was, Where are you coming from and where are you going to? Another miracle. published by Arte in 2016 “As our subway system grows throughout Los Angeles County, we continue to showcase the importance of integrating the arts into the transit experience,” said Metro CEO Phillip A. Washington. University of Southern California’s School of Cinematic Arts. Life in the Undergrowth is a BBC nature documentary series written and presented by David Attenborough, first transmitted in the UK from 23 November 2005. The series features a balance of everyday European invertebrates such as the wolf spider and housefly and more exotic varieties such as the redback spider of Australia and venomous centipedes of the Amazon. Shot in multiple cities around the world, Life Underground captures the pulse of these vibrant environments and the millions of people who pass through them every day. How so? Production of the series took around two years, during which time filming took place around the world, from the Amazonian rainforest to Costa Rica, Australia, Malaysia, Hungary, Switzerland and many more locations, including the United Kingdom. Filming also involved entering rough environments. That was a bit tricky. So your entryway into local systems of transit was through a partnership with UITP. They evolved when such creatures moved away from a solitary existence and started building nests side-by-side, which led to a collective approach to caring for their young.

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+ How we made $200K with 4M downloads.

How we made $200K with 4M downloads.